photo by Emma Werner



“quickly becoming a latter-day Cathy Berberian or Meredith Monk (…) virtuoso entertainment like this is welcome any time” **** The Times (solo opera The Other Side of the Sea)
“sombre and powerful, it’s a tour de force for its sole performer, the 25-year-old soprano Héloïse Werner, a rising figure on the contemporary music scene. (…) she makes great use of her considerable vocal and acting range” **** The Stage (solo opera Scenes from the End)
“I was particularly struck by (…) as well as the intensity of the young soprano Héloïse Werner” The Times 
“the excellent Héloïse Werner as Perdita” Evening Standard
its exacting vocal lines were delivered with considerable intensity by soprano Héloïse Werner” The Guardian 
“projected with wry wit by soprano Héloïse Werner” Evening Standard
“wow (…) very powerful performance” Katie Derham, BBC Radio 3
“Werner’s impassioned and masterful performance (…) superbly performed” The Upcoming
“soprano, Héloïse Werner really used the words performatively: not just their meaning but their sound. (…) Werner was called upon to imitate the train as well as sing: all carried off with a splendid sense of performance art.” Seen and Heard International



Recipient of the Michael Cuddigan Trust Award 2018, Linda Hirst Contemporary Vocal Prize 2017 and a Leeds Lieder Young Artist 2018, French-born and London-based soprano Héloïse Werner was one of the four shortlisted nominees in the Young Artist category of the Royal Philharmonic Society Music Awards 2017 presented in association with BBC Radio 3. Héloïse is soprano & co-director for award-winning contemporary quartet The Hermes Experiment. She is also a composer and recently appeared in the production of Macbeth at the Sam Wanamaker Playhouse, Shakespeare’s Globe Theatre, singing music by Laura Moody.

In 2018, Héloïse premiered her solo opera exploring language and identity The Other Side of the Sea in London and Aldeburgh. Written in collaboration with poet Octavia Bright, director Emily Burns and visual artist Jessie Rodger, the opera was generously supported by The Michael Cuddigan Trust and developed in 2017 during a Snape Maltings residency under the mentorship of Zoë Martlew. Héloïse performed The Other Side of the Sea again at Kings Place in April 2019 as part of their Venus Unwrapped series, which received a 4-star review in The Times (“you can’t help but be dazzled by it”).  In 2016, Héloïse starred in Jonathan Woolgar’s acclaimed one-woman opera Scenes from the End at London’s Tristan Bates Theatre, following on from successful runs at the Camden and Edinburgh Fringe Festivals. She performed extracts from both The Other Side of the Sea and Scenes from the End live on BBC Radio 3.

As a soloist, Héloïse has performed at London’s leading music venues including Royal Festival Hall, Wigmore Hall, Kings Place, St John’s Smith Square, Wilton’s Music Hall, LSO St Luke’s, St Martin-in-the-Fields, Blackheath Halls, Union Chapel, and been broadcast on BBC Radio 2, BBC Radio 3, Classic FM, Resonance FM and London Live. She was one of the artists for the RPS-winning “Schumann Street” produced by Spitalfields Festival 2017, and appeared at the 2016 BBC Proms as one of the two singers performing in Steve Reich’s Music for large ensemble with the Multi-Story Orchestra in Peckham’s car park. Other recent operatic roles have included: Doctor in Maxwell Davies’ Kommilitonen! (Welsh National Youth Opera), Anya in Mannequin, a new one-woman video opera by Maria Vatenina (Tête à Tête Festival Opera), The Vixen in Janacek’s The Cunning Little Vixen (CUOS).

Her quartet The Hermes Experiment is comprised of clarinet, soprano voice, harp and double bass. They are winners of the Royal Over-Seas League Mixed Ensemble Competition 2019, Making Music Selected Artists 2019/20, ClassicalNEXT Showcase Artists 2019, winners of the Tunnell Trust Awards 2017, the Nonclassical’s Battle of the Bands 2014, and Park Lane Group Young Artists 2015-16. The ensemble regularly commissions new works (over 50 so far) as well as creating their own innovative arrangements and venturing into live free improvisation. The group also strives to create a platform for cross-disciplinary collaboration: they recently created a ‘musical exhibition’ with photographer Thurstan Redding and  a new interpretation of Shakespeare’s The Winter’s Tale which they developed during an Aldeburgh Music Residency. Recent praise for the quartet include: “The performance was meticulously nuanced, witty and chic.” The Times // “This clever mix of instruments is more versatile than you might first think” The Observer // “The combination of harp, clarinet, voice and double bass is not one you hear every day, but in the right hands it works brilliantly. The Hermes Experiment who sport this line-up have in a short few years commissioned prodigiously for it, opening a whole new expressive world” Evening Standard. The Hermes Experiment receive support from Arts Council England, the RVW Trust, PRS for Music Foundation, Britten-Pears Foundation, Hinrichsen Foundation, Help Musicians UK, Nicholas Boas Charitable Trust, Future of Russia Foundation and Oleg Prokofiev Foundation.

Héloïse is a founding member (vocals/cello) of five-piece folk band The Coach House Company who have released two original EP discs: The Coach House Company (2014) and Maiden Tales (2016). She is also a founding member of vocal ensemble SHARDS, who feature on Nils Frahm’s new album All Melody.

Héloïse was born in Paris and was a member of the ‘Maîtrise de Radio France’ for six years. At the same time, she studied the cello at the Conservatoire Maurice Ravel with Valérie Aimard. She then read music at Clare College, Cambridge, where she was also a choral scholar under Graham Ross. At Cambridge, she studied composition with Giles Swayne and won the 2011 Clare College Carol Competition. In 2009, she was awarded the ‘Creation Prize’ from the Conservatoire Maurice Ravel for her songs for piano and voice, which she performed as part of her cello final diploma. She completed her vocal studies with Alison Wells and coach Anna Tilbrook on the MMus course at Trinity Laban Conservatoire of Music and Dance as a Linda Pilgrim Charitable Trust Scholar, where she was a finalist in the Soloists’ & Roy Pleasance Competitions. She was a Help Musicians UK Postgraduate Award holder and has appeared in masterclasses with Barbara Hannigan, Sir Thomas Allen, John Mark Ainsley and Eugene Asti.