Picture by Emma Werner
“sombre and powerful, it’s a tour de force for its sole performer, the 25-year-old soprano Héloïse Werner, a rising figure on the contemporary music scene. (…) she makes great use of her considerable vocal and acting range” The Stage
“I was particularly struck by (…) the intensity of the young soprano Héloïse Werner” The Times
“the excellent Héloïse Werner as Perdita” Evening Standard
“its exacting vocal lines were delivered with considerable intensity by soprano Héloïse Werner” The Guardian
“projected with wry wit by soprano Héloïse Werner” Evening Standard
“wow (…) very powerful performance” Katie Derham, BBC Radio 3
“Werner’s impassioned and masterful performance (…) superbly performed” The Upcoming
“soprano, Héloïse Werner really used the words performatively: not just their meaning but their sound. (…) Werner was called upon to imitate the train as well as sing: all carried off with a splendid sense of performance art.” Seen and Heard International
Recipient of the Michael Cuddigan Trust Award 2018, Linda Hirst Contemporary Vocal Prize 2017 and a Leeds Lieder Young Artist 2018, French-born and London-based soprano Héloïse Werner was one of the four shortlisted nominees in the Young Artist category of the Royal Philharmonic Society Music Awards 2017. The annual RPS Music Awards, presented in association with BBC Radio 3, are the highest recognition for live classical music in the UK. Héloïse is soprano & co-director for award-winning contemporary quartet The Hermes Experiment. She is also a composer and cellist, and is currently singing music by Laura Moody in the winter production of Macbeth at Shakespeare’s Globe Theatre.
In July 2018, Héloïse premiered her solo opera exploring language and identity The Other Side of the Sea in London and Aldeburgh. Written in collaboration with poet Octavia Bright, director Emily Burns and visual artist Jessie Rodger, generously supported by The Michael Cuddigan Trust and developed in 2017 during a Snape Maltings residency under the mentorship of Zoë Martlew, The Other Side of the Sea will be performed again at Kings Place in April 2019 as part of their Venus Unwrapped series. In 2016, Héloïse starred in Jonathan Woolgar’s acclaimed one-woman opera Scenes from the End at London’s Tristan Bates Theatre, following on from successful runs at the Camden and Edinburgh Fringe Festivals (★★★★ review from The Stage here). The show was featured in the Evening Standard “Arts picks of the week” and “The ten hottest tickets in town”. She performed extracts from both The Other Side of the Sea and Scenes from the End live on BBC Radio 3.
As a soloist, Héloïse has performed at London’s leading music venues including Royal Festival Hall, Wigmore Hall, Kings Place, St John’s Smith Square, Wilton’s Music Hall, LSO St Luke’s, St Martin-in-the-Fields, Blackheath Halls, Union Chapel, and been broadcast on BBC Radio 2, BBC Radio 3, Classic FM, Resonance FM and London Live. She was one of the artists for the RPS-winning “Schumann Street” produced by Spitalfields Festival 2017, and appeared at the 2016 BBC Proms as one of the two singers performing in Steve Reich’s Music for large ensemble with the Multi-Story Orchestra in Peckham’s car park. Recent operatic roles have included: Doctor in Maxwell Davies’ Kommilitonen! (Welsh National Youth Opera), Anya in Mannequin, a new one-woman video opera by Maria Vatenina (Tête à Tête Festival Opera), The Vixen in Janacek’s The Cunning Little Vixen (CUOS). She is also involved in the development of a new punk opera The Crocodile of Old Kang Pow by Darren Berry (Penguin Cafe).
Her quartet The Hermes Experiment is comprised of clarinet, soprano voice, harp and double bass. They are winners of the Tunnell Trust Awards 2017, Park Lane Group Young Artists 2015-16, UK Young Artists 2014 and winners of Nonclassical’s Battle of the Bands 2014. The ensemble regularly commissions new works (over 50 so far) as well as creating their own innovative arrangements and venturing into live free improvisation. The group also strives to create a platform for cross-disciplinary collaboration: they recently created a ‘musical exhibition’ with photographer Thurstan Redding and a new interpretation of Shakespeare’s The Winter’s Tale which they developed during an Aldeburgh Music Residency. Recent praise for the quartet include: “The performance was meticulously nuanced, witty and chic.” ★★★★ The Times // “This clever mix of instruments is more versatile than you might first think” ★★★★ The Observer // “The combination of harp, clarinet, voice and double bass is not one you hear every day, but in the right hands it works brilliantly. The Hermes Experiment who sport this line-up have in a short few years commissioned prodigiously for it, opening a whole new expressive world” Evening Standard. The Hermes Experiment receive support from Arts Council England, the RVW Trust, PRS for Music Foundation, Britten-Pears Foundation, Hinrichsen Foundation, Help Musicians UK, Nicholas Boas Charitable Trust, Future of Russia Foundation and Oleg Prokofiev Foundation.
Héloïse is a founding member (vocals/cello) of five-piece folk band The Coach House Company who have released two original EP discs: The Coach House Company (2014) and Maiden Tales (2016). She is also a founding member of vocal ensemble SHARDS, who feature on Nils Frahm’s new album All Melody.
Héloïse was born in Paris and was a member of the ‘Maîtrise de Radio France’ for six years. At the same time, she studied the cello at the Conservatoire Maurice Ravel with Valérie Aimard. She then read music at Clare College, Cambridge, where she was also a choral scholar under Graham Ross. At Cambridge, she studied composition with Giles Swayne and won the 2011 Clare College Carol Competition. In 2009, she was awarded the ‘Creation Prize’ from the Conservatoire Maurice Ravel for her songs for piano and voice, which she performed as part of her cello final diploma. She completed her vocal studies with Alison Wells and coach Anna Tilbrook on the MMus course at Trinity Laban Conservatoire of Music and Dance as a Linda Pilgrim Charitable Trust Scholar, where she was a finalist in the Soloists’ & Roy Pleasance Competitions. She was a Help Musicians UK Postgraduate Award holder and has appeared in masterclasses with Barbara Hannigan, Sir Thomas Allen, John Mark Ainsley and Eugene Asti.
Picture by Raphaël Neal